The Focus and The Freak, Concentrate
I’ve been working for some time with the eminent Vancouver-based writer and sibling of mine, Darren Groth on a series of short young adult novels. The first of these is now available on the Kindle platform.
I’m often asked how we go about collaborating on a work of fiction. While all books are collaborative to some extent, shared authorship duties are relatively rare in our game. To be honest, it took us quite a while to figure out a collaborative approach that worked for us. We tried a few approaches unsuccessfully. Although our styles of writing are not that different from each other, the trick is finding a way to make them flow together. What we realised is that every project needs a champion and, while sharing text is relatively easy, a story’s vision can’t be doled out in a 50/50 split. Concentrate, a young adult novel, marked the first time we worked as a writing team, each of us taking on roles as necessary to serve the story. Here’s how I described the process three years ago:
Read MoreWe have tried collaboration before a few times. We tried taking alternate chapters. We tried taking on different characters. Nothing really worked and I consigned the whole endeavour to the ‘revisit one of these days’ file. Little did I know Darren was hatching his own variation on the concept.
What we eventually hit on was taking alternate drafts. The result was similar to writer-editor only with the editor taking a far more active role adding character layers and additional narrative. Our model was less ’50 per cent text each’ and something more like what Joel and Ethan Cohen do: share the writing credits where one or the other might take the lead on any individual project. Seems to work well for them. Why not us? We are already brothers after all.
Browsing Books: Social Reading
I recently returned from San Francisco and the fabulous Books in Browsers 2011 conference therein.
I tried hard to keep live tweeting from the event (via the @ifbookaus account), but alas I’m no @ebookish (forever now known as The Thumbs of Fury). I was reduced to desperately taking notes and occasionally copy-and-pasting in the Twitter app.
The event itself is organised by the awesome Peter Brantley and hosted at the Internet Archive. Books in Browsers is a small event attended by some of the finest people at the techie end of publishing (and me). Because of its size and the quality of its attendees, there was no need to waste time arseing around discussions of paper versus screen or on the relative merits of digital workflows. It was like a welcome homecoming.
Read MoreColumn Inches
I’ve started a regular column in Brisbane newspaper the Courier-Mail pointing to cool or interesting things in the booky-technology area: apps, audiobooks, webby things, and so on.
It appears to be a print-only experience thus far, but locals can check it out in Saturday’s LIFE section.
Each column includes links so, if you can’t get a copy of the paper, you can at least see what’s piquing my interest this week via the link timeline.
Read MoreMuted (R)evolution
A small piece pondering the impact of digital on street press and the music industry generally has been published in the September issue of Meanjin (volume 70, number 3).
You have to knock. If you’re supposed to be there, someone will let you in. The exterior broadcasts little; only a small sign in the window marks the name of the magazine.
‘Hi,’ he says. ‘Come on in.’
Inside, the walls groan with the weight of history hanging from them. Posters old and new jostle for the limited space available: Powderfinger bidding farewell to the world, the Smashing Pumpkins touring their new album Mellon Collie and the Infinite Sadness. To the left, a reception desk curves away from me around the corner of the room, overlooking the entire area. No one sits behind it. To the right, stacks of papers line the wall by the front door without any discernible order to them: the reformed Saints here, the Residents there. There’s at least fifteen years of history lying at my feet, almost discarded on the floor.
It’s available in all good bookshops or you can buy a copy online over hereabouts. Go buy it. Go on.
Read MoreI See A Pattern Forming
I’ve been working on and off on a collaboration with fine art photographer Bronwen Hyde that we have called I See A Pattern Forming.
The premise of the project is simple. Bronwen and I find individual works—visual and text—that work together. Sometimes we will use previously created pieces; sometimes they will be newly minted. Sometimes the link between the two will be obvious; sometimes it won’t. It’s going to be a lot of fun seeing how things progress.
Though it begins life as a blog, we have an eye on a options to take it into the real world later on.
Bronwen created the cover image for the first series of ‘mini-shots’, a single-short-story magazine from Vignette Press, which included the gorgeous shot for Coda you can see here.
Click through to I See A Pattern Forming.
Keep checking back with the site regularly for updates. We hope you like it.
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