The Focus and The Freak, Concentrate

Posted by The Author on 15 Apr, 2012 in He Writes | Comments Off

I’ve been working for some time with the eminent Vancouver-based writer and sibling of mine, Darren Groth on a series of short young adult novels. The first of these is now available on the Kindle platform.

I’m often asked how we go about collaborating on a work of fiction. While all books are collaborative to some extent, shared authorship duties are relatively rare in our game. To be honest, it took us quite a while to figure out a collaborative approach that worked for us. We tried a few approaches unsuccessfully. Although our styles of writing are not that different from each other, the trick is finding a way to make them flow together. What we realised is that every project needs a champion and, while sharing text is relatively easy, a story’s vision can’t be doled out in a 50/50 split. Concentrate, a young adult novel, marked the first time we worked as a writing team, each of us taking on roles as necessary to serve the story. Here’s how I described the process three years ago:

We have tried collaboration before a few times. We tried taking alternate chapters. We tried taking on different characters. Nothing really worked and I consigned the whole endeavour to the ‘revisit one of these days’ file. Little did I know Darren was hatching his own variation on the concept.

What we eventually hit on was taking alternate drafts. The result was similar to writer-editor only with the editor taking a far more active role adding character layers and additional narrative. Our model was less ’50 per cent text each’ and something more like what Joel and Ethan Cohen do: share the writing credits where one or the other might take the lead on any individual project. Seems to work well for them. Why not us? We are already brothers after all.

Bundle Selfishly

Posted by The Author on 27 Feb, 2012 in Digital Publishing | Comments Off

From about the age of ten, I spent most of my pocket money on records. I spent some money on books too, although most of my reading came from school libraries. I can’t even remember how much a long player was, but suffice to say it must have been a significant investment, given the kind of dough I was making at the time and the number of discs I still have from back then.

These days, I’m still buying long players. Mostly I get them from the US because, even with exorbitant postage, it’s still cheaper than buying them locally. Where I can, I buy them directly from the artists. And when I take delivery of them, I frequently find a surprise card hidden inside with a code to download the same album as mp3 files for free.

The overall package is more expensive than a CD or just downloading the files, but not a lot more and the perceived value is much greater: the sound and packaging of the vinyl (see, I’m not immune to object fetishisation) at home and the convenience of digital songs to drop onto my phone when out and about. Really, it just updates what I used to do, which was make tapes of the records I bought to listen to on my Walkman.

You’ve changed, man

Posted by The Author on 24 Jan, 2012 in Digital Publishing | 4 comments

I’ve been thinking a lot about the Apple, Inc. in the last few weeks. After spending the holidays reading the Steve Jobs biography, I returned to work to find a major announcement around ebooks in the offing. So I start blog watching around the big A. One post in particular caught my eye. In his upcoming expose-style book on Apple, Adam Lashinsky talks about Apple’s policy of not providing lunch to its employees.

The culture at Apple is described as “the polar opposite of Google’s,” and one small but noteworthy difference between the two rival companies lies in lunch. Unlike at Google, where lunch is free, Apple employees must pay for their “quite good and reasonably priced” lunch at the company cafeteria. There is one exception: new employees are given free lunch during their first-day orientation.

At first, I was astounded that this would be considered in any way remarkable—so unlike Google, apart from your first day, Apple is just like every other employer in the world—but a picture of the company’s mindset emerged from this strange and kind of stalkish anecdote. Any largesse is short-lived at best. You know you’re going to have to pay for those sandwiches, right?

Apparently this was still in the back of my mind when I sat down early Friday morning to watch Apple’s Phil Schiller take the stage. Schiller duly proved the rumour-mongers right when he unveiled the first major revision to iBooks, Apple’s ereader app for the iPad, and iBooks Author, a new authoring tool to create media-rich electronic books.

Hand Made High Tech

Posted by The Author on 20 Dec, 2011 in Digital Publishing, He Edits, Stuff That Happens | 1 comment

Throughout 2011, if:book Australia commissioned essays from ten Australian writers on the future of writing and reading in a future tilted towards the digital. Each writer drew on his or her experience in fields diverse as publishing, transmedia, gaming, and comics to observe the changes taking place in ‘books’ and discussing where this might lead for authors, readers, and reading culture.

Originally posted at the if:book web site, the articles have now been compiled (some updated) into a single volume under the title Hand Made High Tech with an introduction by me and a brilliant cover design by Daniel Neville.

It’s free to download in any format or to read online. If you have any interest in books and publishing futures, it’s worth a read. Check it out.

Browsing Books: Chattering Incunabula

Posted by The Author on 28 Nov, 2011 in Digital Publishing, Stuff That Happens | Comments Off

In Victor Hugo’s Notre Dame, Claude Frollo looks from a book to the cathedral and says, ‘Ceci tuera cela.’ (‘This will kill that’). Apparently we’ve never been all that good with pluralism (witness the seemingly endless moaning that digital is killing print, regardless of how little hard evidence emerges to support such a position).

The reference to Hugo comes via Books in Browsers speaker, Corey Pressman, who naturally begged to differ when it comes to print and digital books. This does not replace that. This actually does a pretty crappy job of replacing that, because paper and screens do subtly different jobs: one houses fixed text and images, the other is fluid.

Browsing Books: Social Reading

Posted by The Author on 14 Nov, 2011 in Digital Publishing, Stuff That Happens | Comments Off

I recently returned from San Francisco and the fabulous Books in Browsers 2011 conference therein.

I tried hard to keep live tweeting from the event (via the @ifbookaus account), but alas I’m no @ebookish (forever now known as The Thumbs of Fury). I was reduced to desperately taking notes and occasionally copy-and-pasting in the Twitter app.

The event itself is organised by the awesome Peter Brantley and hosted at the Internet Archive. Books in Browsers is a small event attended by some of the finest people at the techie end of publishing (and me). Because of its size and the quality of its attendees, there was no need to waste time arseing around discussions of paper versus screen or on the relative merits of digital workflows. It was like a welcome homecoming.

Column Inches

Posted by The Author on 14 Nov, 2011 in He Writes, Stuff That Happens | Comments Off

I’ve started a regular column in Brisbane newspaper the Courier-Mail pointing to cool or interesting things in the booky-technology area: apps, audiobooks, webby things, and so on.

It appears to be a print-only experience thus far, but locals can check it out in Saturday’s LIFE section.

Each column includes links so, if you can’t get a copy of the paper, you can at least see what’s piquing my interest this week via the link timeline.